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​Blessed Foundation
London, 2024
“Fields of Vision” was a group exhibition showcasing work by artists Ai Xia, Jamica El, and Alfredo Salazar-Caro, and looking at regenerative means of production and community investment. The show was part of the official programme of the London Design Festival and garnered enthusiastic reviews from the press. Architecture magazine called it “visionary” and The Evening Standard “one of the best exhibitions for science fans”.
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Strategic partners: New Inc., Goldsmiths, University of London, London Design Festival
Image: Ai Xia, Snapshot of A Moment in Eternity, 2023. Courtesy of the artist
Andrea Khôra: Rapture
Blessed Foundation
London, 2024
“Rapture” by Andrea Khôra was a solo exhibition showcasing the artist’s research and a video dissecting psychedelic start-up culture. In the video, Khôra pursues key questions around the current commercial psychedelic healing landscape through fictional characters of a podcast host and a CEO of a company whom she interviews. The work was directed using a range of AI software in a creative and pioneering way.
RAPTURE was commissioned and co-produced by KW Institute of Contemporary Art, Berlin; Blessed Foundation, London; and Kunsthal Charlottenborg, Copenhagen.
Image: Andrea Khôra, Rapture, video still, courtesy of the artist
Blessed Foundation
London, 2023 - 2024
"FUTURE-PROOF" is an open series of talks and a podcast that put accessibility and sustainability at the centre of discussion about innovation. The series highlights the resources already in the works that can help our surroundings and communities thrive. Believing that the implementation of care is a matter of future-proofing, one innovation per session, the talks explore prototypes in development, emerging and established artistic practices, and businesses.
Image: FUTURE-PROOF, Blessed Foundation, 2023
The Game: All Things Trump
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a/political at ArtX
New York, 2019
Andres Serrano photographed Donald Trump for the series America in 2004. That year, the TV programme "The Apprentice" provided Trump with unprecedented media exposure, contributing to the expansion of his business and, in the long run, his popularity as a presidential candidate. When Trump took Office thirteen years later, Serrano decided to create another portrait using Trump’s magazine covers and merchandise to expose the making of one of the world’s most notorious propaganda stories.
Image: Exhibition posters, New York, photo my own
We Protect You from Yourselves
a/political and Biennale Warszawa, London and Warsaw, 2020
Projections of Democracia's work "Silence" onto renowned landmarks in London and Warsaw were followed by an exhibition focused on the police response to public protests across the world, We Protect You From Yourselves. The COVID-19 pandemic underscored many of the systemic inequalities affecting thousands of citizens— from restricted access to healthcare to police profiling. The works shown highlight how, overwhelmingly, governments have resisted change in the face of dissent.
Image: Democracia, Silence, 2020, photo my own
Shikeith;
Chila Kumari Burman
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MAK Gallery,
London, 2017
"Dreamscapes" launched a new stage of programming at MAK gallery dedicated to double consciousness—a term coined by W. E. B. Du Bois, an American author and political activist, in "The Souls of Black Folk" (1903). Du Bois described the ability to see oneself from the perspective of an oppressive system, initially with Black Americans in mind, but later applied the term more broadly. Dreamscapes included solo shows by Shikeith and Chila Kumari Burman, the latter of whom featured in the programme of The Art Night festival in 2017.
Image: Shikeith, Brush Your Blues, 2017, courtesy of the artist
Wild at Heart: Portrait and Self-portrait in Poland after 1989
The ING Polish Art Foundation, Zachęta National Gallery, Warsaw 2018
The exhibition was developed in response to the paradox of anti-immigrant sentiments in Poland and those in the UK aimed at the Polish emigration in the
run-up to Brexit. The show highlighted the works that are a shared heritage of Polish and English nations and those reflective of migrant experience in the history of Polish portraiture. The backbone of the exhibition was the collection of the ING Polish Art Foundation with loans from the Ben Uri Gallery based in London.
Image: Exhibition view, photo by Marek Krzyżanek, courtesy of Zachęta National Portrait Gallery
Labor Relations. From the International Contemporary Art Collection
Wrocław Contemporary Museum, 2017
The first showcase of the international collection of contemporary art acquired by the Wrocław Contemporary Museum examined the impact of colonialism, industrialisation, and capitalism on contemporary labour. The exhibition also addressed the mental toil of economic inequalities on employees.
Image: Exhibition view, Works by Gregor RóżaÅ„ski and Allan Sekula, photo by MaÅ‚gorzata Kujda © WrocÅ‚aw Contemporary Museum, 2016
Punxdefektuozoz: Dr Lakra and Laureana Toledo
Wrocław Contemporary Museum, 2015
"Punxdefektuozoz" was an exploration of the ambivalent heritage of punk in Mexico. As a fashion trend, it embodied the cultural colonization coming from the West; as an attitude, it was the backbone of grass-roots social mobilisation in the aftermath of a series of powerful earthquakes in 1985.
Image: Exhibition view, photo by Malgorzata Kujda © WrocÅ‚aw Contemporary Museum, 2015
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